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    <subfield code="a">Mi&#xE8;ge, Bernard</subfield>
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    <subfield code="a">The Capitalization of cultural production /</subfield>
    <subfield code="c">Bernard Mi&#xE8;ge</subfield>
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    <subfield code="a">New York :</subfield>
    <subfield code="b">International General,</subfield>
    <subfield code="c">cop. 1989</subfield>
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    <subfield code="a">Although the industrial production of culture is not a new phen&#xF3;menon, in recent years it has undergone a spectacular growth, which, in spite of the crisis, is likely to continue in the coming years. But while the term "cultural industries" since the Frankfurt School has become well-accepted on the left  and elsewhere  there are still very few critical left studies analyzing concretely how the sphere of cultural activities function within capitalism, both on a national as well as an international scale.

This collection of texts sets forth such an analysis. By scrutinizing contemporary cultural production from a critical economic and sociological viewpoint it attempts to understand the mechanisms and processes underlying such phenomena as the cultural commodity, the cultural industries, children's cultural products, artistic and intellectual creation, information systems and cable television. (Font: Editor)</subfield>
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    <subfield code="a">Foreword -- Towards Another Concept of the Cultural Industries: l. The Status of Economics and Sociology in the Communication Sciences ; II. The Cultural Commodity ; III. Capitalism and the Cultural Industries: Further Reflections -- Applied Research: IV. The Cultural Industries and Children ; V. The National and International Cultural Industries and Problems of Artistic and Intellectual Development -- Researchs &amp; Developments: VI. Political Power and Information Systems: The Fundamental Issues ; VII. Interactive Videotex: The 'CLAIRE' Experiment (Grenoble) ; VIII. New Media, New Questions -- Selected Bibliography</subfield>
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