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    <subfield code="a">The Constituent museum : </subfield>
    <subfield code="b">constellations of knowledge, politics and mediation : a generator of social change /</subfield>
    <subfield code="c">[editors: John Byrne, Elinor Morgan, November Paynter, Aida S&#xE1;nchez de Serdio, Adela Zeleznik]</subfield>
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    <subfield code="a">Amsterdam : </subfield>
    <subfield code="b">Valiz ; </subfield>
    <subfield code="a">[S.l.] : </subfield>
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    <subfield code="a">What would happen if museums put relationships at the centre of their operations? This question inspires this publication, which offers a diverse, rigorous, and experimental analysis of what is commonly known as education, mediation or interpretation within museum institutions. It regards the visitor not as a passive receiver of predefined content, but as an active member of a constituent body, whom it facilitates, provokes, inspires and learns from. Moving beyond the practice of mediation as such, the publication situates constituent practices of collaboration and co-production within the existing social-political (neoliberal) context. It does this to reimagine and affect both the physical and organizational structures of museums and galleries.   Understanding the challenges of a constituent practice in an integral, interdisciplinary manner is what this publication aspires to. This is explored by placing the museum's constituents-museum professionals, active audience/co-curator, local and political agencies, operational structures and contexts-at the centre of the museum organization and looking at how their positions in society start to shift and change.   Issues that are addressed: ownership and power dynamics, collective pedagogy, pedagogy of encounter, collaboration, assent, dissent and consent, co-labour and co-curation (economies of exchange), precarity, and working with interns, archives and how to activate them, broadcasting, digital cultivation, crowdsourcing, and many other topics.  (Font: Editor)</subfield>
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    <subfield code="a">The Constituent Museum / Editors' Introduction ; The Rainbow Wrasse / Francis McKee - 1. Becoming Constituent: Becoming Constituent. Introduction / John Byrne ; The Rest is Missing. On Constituencies as a Matricial Notion for New Institutions of the Commons / Ra&#xFA;l S&#xE1;nchez Cedillo ; Negotiating Institutions / Janna Graham ; Middlesbrough's New Communities / Elinor Morgan ; New Communities of Migrants / Adela &#x17D;eleznik ; Untimely Notes on 'The New Abduction of Europe' / Francesco Salvini, Ra&#xFA;l S&#xE1;nchez Cedillo - 2. Architectures of use: Architectures of Use. Introduction / John Byrne ; Architectures of Encounter, Attention and Care. Towards Responsible Worlding Action / Alberto Alt&#xE9;s Arlandis ; Negotiating Jeopardy. Towards a Constituent Architecture of Use / John Byrne ; Tensta Museum L'Internationale / Maria Lind ; The Uses of Art Lab @ Liverpool John Moores University / John Byrne ; Honest Shop / Alistair Hudson ; Seed Journey / Futurefarmers/Amy Franceschini ; Museum Solidarity Lobby / Azra Ak&#x161;amija - 3. Pedagogies of Encounter: Pedagogies of Encounter: Introduction / Aida S&#xE1;nchez de Serdio ; 'Give Her the Tools, She Will Know What to do With Them!' Some Thoughts about Learning Together / Nora Sternfeld ; A Constituent Education / Yaiza Hern&#xE1;ndez V&#xE9;lazquez ; Another Road Map School for Arts Education / Alejandro Cevallos Narv&#xE1;ez, Nora Landkammer ; Possibilities for Emancipation / Bojana Pi&#x161;kur ; 'Really Useful Knowledge' / Manuel Borja-Villel ; 'Really Useful Knowledge' and Institutional Learning / Jes&#xFA;s Carrillo ; Between Acts: Influence, Negotiate, Encounter, Instigate, Narrate. Re-writing the Relations Between Art and Situated Knowledge. Found in Times of Crisis. Subtramas (Virginia Villaplana, Montse Roman&#xED;, Diego del Pozo ; Towards a Coordination Ethic / Sara Buraya Boned, Paula Moliner, Manuela Pedr&#xF3;n Nicolau ; Close the Folding Screen Before Lenin Escapes. Somateca and the Closet / B&#xE1;rbara G.F. Muriel, Sara Buraya Boned, Loreto Ares, Diana V&#xE1;zquez, Somateca ; A Greek Choir Tearing the Canvas of Public Healthcare / Carmen Esbri - 4. Distributing Ownership: Distributing Ownership. Introduction / Elinor Morgan ; Democratic Institutions Versus Culture Wars / Jes&#xFA;s Carrillo ; Preserving Precariousness, Queering Debt / Isabell Lorey ; Notes on Friendship / C&#xE9;line Condorelli ; Solidarity / Igor &#x160;panjol ; Antagonism / Francesco Salvini ; 'Vsak &#x10C;lovek je kustos!/jeder mensch ist ein kurator!' Moderna galerija, Ljubljana, 16 June-30 September 2007 / Tja&#x161;a Poga&#x10D;ar Podgornik ; Lodgers At M Hka / Nav Haq, Alan Quireyns ; A Model for a Constituent Museum. Moca Toronto Canada / November Paynter ; New Linthorpe / Elinor Morgan - 5. Archiving and Collecting Relationships: Archiving and Collecting Relationships. Introduction / Aida S&#xE1;nchez de Serdio ; Revisiting and Reconstituting Networks from Japan to Beirut to Chile / Kristine Khouri, Rasha Salti ; Archives in Use. A Laboratory of Political Imagination for the Present / RedCSur ; Realities of the Undercommons About the Work of Making, Unmaking and Remaking Organizations / John Hill Talks to Tiziana Terranova, Sean Dockray and Adelita Husni-Bey ; Vulnerabilities and Shifting Meanings of Citizenship / &#xD6;zge Ersoy ; Data Asymmetry / Burak Ar&#x131;kan ; Graph Commons / Burak Ar&#x131;kan ; Open Source Prototypes / Oriol Fontdevila ; The Salt Office of Useful Art / Onur Y&#x131;ld&#x131;z - Appendix: Contributors -- Index of Names -- Index of Works of Art, Exhibitions, Projects, Organizations -- Acknowledgements -- Colophon </subfield>
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