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    <subfield code="a">Cultural diversity in motion :</subfield>
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    <subfield code="a">Bielefeld : </subfield>
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    <subfield code="a">Tesi (doctoral) - University of Hildesheim. Faculty of Cultural Studies and Aesthetic Communication, 2021</subfield>
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    <subfield code="a">What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, &#xD6;zlem Cany&#xFC;rek introduces the concept of "thinking and acting interculturally" and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society. (Font: Editor)</subfield>
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    <subfield code="a">Acknowledgements -- Inter-cultural-policy: performing arts as a model of diversity development / Wolfgang Schneider -- 1. Why Cultural Diversity in Performing Arts?: 1.1. The relevance of the research subject and objectives ; 1.2. Discourse analysis and discourse strategy ; 1.3. Case study analysis ; 1.4. The structure of the study -- 2. Cultural Policy, Systematic Exclusion, Structural Racism: 2.1. The role of policymaking in maintaining systematic exclusion ; 2.2. Historical institutionalism: inertia in institutional structures ; 2.3. Bourdieu's field theory for framing the rules of the game ; 2.4. German theatre and diversity ; 2.5. Structural and institutional racism -- 3. Integration, Intercultural Management, Migration Mainstreaming: 3.1. (Cultural) Integration and the Failure of multiculturalism ; 3.2. The rise of the intercultural approach in cultural policy ; 3.3. The modes of intercultural orientation at the L&#xE4;nder and municipal level -- 4. Cultural Diversity, Inclusion Policy, Intercultural Dialogue: 4.1. Politics and cultural policy ; 4.2. Value-based cultural policy and the construction of hierarchised diversity ; 4.3. New diversity as a challenge: the problematisation of immigration ; 4.4. Intercultural dialogue for a successful cultural integration -- 5. Federal Programmes, Intercultural and Transcultural Projects: 5.1. The German Federal Cultural Foundation and The Heimspiel Fund (2006-2012) ; 5.2. The Performing Arts Fund and the Homebase Programme (2016) ; 5.3. The Socio-Culture Fund (2009-2019) -- 6. Solidarity, Collective Thinking, Self-Empowerment: 6.1. Criteria for determining the casing ; 6.2. Boat people projekt ; 6.3. Hajusom ; 6.4. Ruhrorter ; 6.5. PostHeimat: confronting structural inequalities in performing arts ; 6.6. Investing in learning spaces for enhancing diversification processes -- 7. Intercultural Reorganisation in Performing Arts: 7.1. Diversity in motion: thinking and acting interculturally ; 7.2. Intercultural cultural policy framework for the theatre landscape ; 7.3. Epilogue: Where to next? -- Abbreviations -- List of Tables -- Reference List </subfield>
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