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    <subfield code="a">The Museum as enabler</subfield>
    <subfield code="h">[Recurs electr&#xF2;nic] : </subfield>
    <subfield code="b">the role of museums in the climate empowerment of young people / </subfield>
    <subfield code="c">Stien Wouters ; thesis supervisor: Colin Sterling</subfield>
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    <subfield code="a">[Amsterdam] : </subfield>
    <subfield code="b">University of Amsterdam, </subfield>
    <subfield code="c">2022</subfield>
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    <subfield code="a">TFM (MA Museum Studies) - University of Amsterdam. Faculty of Humanities, 2022. </subfield>
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    <subfield code="a">Building on Paolo Freire's Pedagogy of the Oppressed, I argue that children and young people can be seen as an oppressed group, having to suffer the impact of the climate crisis as consequence of the shortcomings of older generations. As a result of this adult inaction, young people have increasingly been suffering from climate anxiety, and thus, feel that they must take matters into their own hands in the hope of mitigating the climate crisis. Based on earlier research on the inherent strengths and responsibilities of museums, I assert that museums can be fitting institutions to act on the needs of young people. Specifically, this thesis reflects upon the different approaches that museums have been using so far to empower children and young people responding to the climate crisis. In this thesis, I discuss four different case studies - Natural History Museum, Framer Framed, the Klimaatmuseum, and the Climate Museum UK - and analyse their various activities through the lens of empowerment, using the definition of empowerment by Camilla Schreiner, Ellen Henriksen, and P&#xE5;l Kirkeby Hansen and Freire's Pedagogy of the Oppressed. This analysis illustrates how each of these four museums approach climate empowerment in varying and diverse ways, with each focussing on different prerequisites of climate empowerment: the Natural History Museum focuses on providing information, Framer Framed on creating a safe atmosphere, the Klimaatmuseum on inspiring its visitors, and the Climate Museum UK on activating its participants. Comparing these four approaches, five reoccurring characteristics stand out: 1. creating a safe space for dialogue and practice, 2. presenting an open image of the future, 3. providing the necessary tools, attitudes, and skills, 4. engaging with local communities, and 5. supporting the creativity of young people. Based on these five elements, I propose an innovative approach for museums to engage with young people concerning the climate crisis: "the museum as an enabler," centred around the enablement of young people in their own self-empowerment, taking action into their own hands - with the support of museums. (Font: Autor) </subfield>
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    <subfield code="a">No t&#xE9; aplicada cap llic&#xE8;ncia. Est&#xE0; perm&#xE8;s llegir-la i citar-la. No est&#xE0; permesa la redistribuci&#xF3; ni la reutilitzaci&#xF3; sense el consentiment de l'autor.</subfield>
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    <subfield code="a">Table of images -- Acknowledgements  -- Introduction: Museums and climate empowerment:  Literature review: the climate responsibility of museums: Museum education and climate change ; Young people and climate change ; Theoretical framework: young people as the oppressed: Empowerment ; Paulo Freire and the pedagogy of the oppressed ; Museums for the oppressed -- The museum as...: ... information source: natural history museum: Analysis ; The museum as information source ; ... safe space: framer framed: Analysis ; The museum as safe space ; ... inspiration: the klimaatmuseum: Analysis ; The museum as inspiration ; ... activation: the climate museum UK: Analysis ; The museum as activation -- The museum as enabler: Practicing empowerment ; Towards the uncertain future ; Climate tools, community engagement, and creativity ; The museum as enabler -- Conclusion -- Bibliography  </subfield>
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    <subfield code="a">Sterling, Colin</subfield>
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