03195nam a2200265 i 4500 47503 ES-BaOER 20251224162429.0 cr ||||||||||| 251224s2025 gw |||||s|||| 0|| ||eng d ES-BaOER cat ES-BaOER Mazzocchetti, Jacinthe 18918 Gender equality in European theatres and artistic programmes 2024 [Recurs electrònic] : a study / [by Jacinthe Mazzocchetti, Sarah Sepulchre and Justine Vanhaelen] Berlin: European Theatre Convention, 2025 65 p. : digital, fitxer PDF (476,83 kB) The study is part of the ETC programme “TRANSFORMATIONS - Recharging European Theatres and Audiences in a Post-Covid World”. In 2024, can we truly say that gender equality has been achieved on stage and in the workforces of European theatres? And have European theatres made any progress since 2021, when the last major research was conducted? The new ETC study, Gender Equality in European Theatres and Artistic Programmes 2024, authored by researchers Sarah Sepulchre, Jacinthe Mazzocchetti, and Justine Vanhaelen from UC Louvain, asks these critical questions. The study is divided into three key sections: a literature review examining reports and research on gender equality and diversity across Europe, a detailed analysis of data from 13 theatres in 11 countries, and a series of anonymous, powerful interviews with theatre professionals at various stages in their career on equality - or lack of it - in the theatre sector. (Font: Editor) Foreword -- Gender Equality in European Theatres and Artistic Programmes 2024 -- Part One. Introduction -- Part Two. State of the art of available scientific literature resources and reports on gender equality and diversity in the theatre sector in Europe – by country: Belgium ; Bulgaria ; Croatia ; Cyprus ; Czech Republic ; Denmark ; Estonia ; Finland ; France ; Germany ; Great Britain ; Greece ; Hungary ; Italy ; Latvia ; Luxembourg ; Malta ; Norway ; Poland ; Portugal ; Romania ; Slovakia ; Spain ; Serbia ; Sweden ; Ukraine ; Several countries -- Part Three: Quantitative section: 3.1. Methodology ; 3.2. Figure reading guide ; 3.3. Corpus description ; 3.4. Diversity among theatre staff ; 3.5. Diversity in programming ; 3.6. Diversity in premieres ; 3.7. Factors that promote or hinder diversity in the country and in theatres -- Part Four. Qualitative section: 4.1. Introduction ; 4.2. Methodology ; 4.3. Study participants ; 4.4.Historical and contextual dimensions ; 4.5. Looking at sector through gender lens ; 4.6. Women’s bodies, stereotypes and discriminations ; 4.7. Theatre management and gender issues regulations modality ; 4.8. Areas for further research -- Part Five. General conclusions -- Appendix. Quantitative Questionnaire. Sepulchre, Sarah 18919 Vanhaelen, Justine 18920 European Theater Convention 18136 E-Link https://www.europeantheatre.eu/page/resources/online-library#114 Interacció https://interaccio.diba.cat/news/2025/03/estudi-etc-genere-teatres-europeus EL 47503 47503 0 0 udc 0 0 G CERC CERC RD 2025-12-24 D 0 E250080 E250080 2025-12-24 16:36:34 https://cercles.diba.cat/cgi-bin/koha/opac-retrieve-file.pl?id=9befba21c2b3b6d81528a71d78f987f6 2025-12-24 EL