<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Gender equality in European theatres and artistic programmes 2024</title>
    <subTitle>a study</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Mazzocchetti, Jacinthe</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Sepulchre, Sarah</namePart>
  </name>
  <name type="personal">
    <namePart>Vanhaelen, Justine</namePart>
  </name>
  <name type="corporate">
    <namePart>European Theater Convention</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">gw</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Berlin</placeTerm>
    </place>
    <publisher>European Theatre Convention</publisher>
    <dateIssued>2025</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">electronic</form>
    <form authority="gmd">Recurs electrònic</form>
    <extent>65 p. : digital, fitxer PDF (476,83 kB)</extent>
  </physicalDescription>
  <abstract>In 2024, can we truly say that gender equality has been achieved on stage and in the workforces of European theatres? And have European theatres made any progress since 2021, when the last major research was conducted? The new ETC study, Gender Equality in European Theatres and Artistic Programmes 2024, authored by researchers Sarah Sepulchre, Jacinthe Mazzocchetti, and Justine Vanhaelen from UC Louvain, asks these critical questions. The study is divided into three key sections: a literature review examining reports and research on gender equality and diversity across Europe, a detailed analysis of data from 13 theatres in 11 countries, and a series of anonymous, powerful interviews with theatre professionals at various stages in their career on equality - or lack of it - in the theatre sector. (Font: Editor)</abstract>
  <note type="statement of responsibility">[by Jacinthe Mazzocchetti, Sarah Sepulchre and Justine Vanhaelen]</note>
  <note>The study is part of the ETC programme “TRANSFORMATIONS - Recharging European Theatres and Audiences in a Post-Covid World”.</note>
  <identifier type="uri">https://www.europeantheatre.eu/page/resources/online-library#114</identifier>
  <identifier type="uri">https://interaccio.diba.cat/news/2025/03/estudi-etc-genere-teatres-europeus</identifier>
  <location>
    <url>https://www.europeantheatre.eu/page/resources/online-library#114</url>
  </location>
  <location>
    <url>https://interaccio.diba.cat/news/2025/03/estudi-etc-genere-teatres-europeus</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">ES-BaOER</recordContentSource>
    <recordCreationDate encoding="marc">251224</recordCreationDate>
    <recordChangeDate encoding="iso8601">20251224162429.0</recordChangeDate>
    <recordIdentifier source="ES-BaOER">47503</recordIdentifier>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">cat</languageTerm>
    </languageOfCataloging>
  </recordInfo>
</mods>
