Gender equality in European theatres and artistic programmes 2024 [Recurs electrònic] : a study / [by Jacinthe Mazzocchetti, Sarah Sepulchre and Justine Vanhaelen]
Publication details: Berlin: European Theatre Convention, 2025Description: 65 p. : digital, fitxer PDF (476,83 kB)Online resources: Summary: In 2024, can we truly say that gender equality has been achieved on stage and in the workforces of European theatres? And have European theatres made any progress since 2021, when the last major research was conducted? The new ETC study, Gender Equality in European Theatres and Artistic Programmes 2024, authored by researchers Sarah Sepulchre, Jacinthe Mazzocchetti, and Justine Vanhaelen from UC Louvain, asks these critical questions. The study is divided into three key sections: a literature review examining reports and research on gender equality and diversity across Europe, a detailed analysis of data from 13 theatres in 11 countries, and a series of anonymous, powerful interviews with theatre professionals at various stages in their career on equality - or lack of it - in the theatre sector. (Font: Editor)| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
e-Libro
|
Centre d' Informació i Documentació del CERC Repositori digital | General | E250080 | Accés al document | Available | E250080 |
The study is part of the ETC programme “TRANSFORMATIONS - Recharging European Theatres and Audiences in a Post-Covid World”.
Foreword -- Gender Equality in European Theatres and Artistic Programmes 2024 -- Part One. Introduction -- Part Two. State of the art of available scientific literature resources and reports on gender equality and diversity in the theatre sector in Europe – by country: Belgium ; Bulgaria ; Croatia ; Cyprus ; Czech Republic ; Denmark ; Estonia ; Finland ; France ; Germany ; Great Britain ; Greece ; Hungary ; Italy ; Latvia ; Luxembourg ; Malta ; Norway ; Poland ; Portugal ; Romania ; Slovakia ; Spain ; Serbia ; Sweden ; Ukraine ; Several countries -- Part Three: Quantitative section: 3.1. Methodology ; 3.2. Figure reading guide ; 3.3. Corpus description ; 3.4. Diversity among theatre staff ; 3.5. Diversity in programming ; 3.6. Diversity in premieres ; 3.7. Factors that promote or hinder diversity in the country and in theatres -- Part Four. Qualitative section: 4.1. Introduction ; 4.2. Methodology ; 4.3. Study participants ; 4.4.Historical and contextual dimensions ; 4.5. Looking at sector through gender lens ; 4.6. Women’s bodies, stereotypes and discriminations ; 4.7. Theatre management and gender issues regulations modality ; 4.8. Areas for further research -- Part Five. General conclusions -- Appendix. Quantitative Questionnaire.
There are no comments on this title.